List of pieces which use extended techniques

Musical pieces by style
<center>Period
Neoclassicalistic (see Neoclassicalism)
Modernistic (see Modernism)
<center>Style
Dadaistic (see Dada)
Impressionistic (see Impressionist music)
Jazz (see Jazz)
- with Jazz
Minimalistic (see Minimalist music)
Nationalistic (see Nationalism)
Populistic (see Populist music)
Postminimalistic (see Postminimalism)
Surrealist (see Surrealism)
<center>Technique
Atonal (see Atonality)
Twelve-tone (see Twelve-tone technique)
with Extended techniques (see Extended technique)
Pandiatonic (see Pandiatonic)
Polytonal (see Polytonality)
- with Polytonality
Process music (see Process music)
Quarter tone (see Quarter tone)
- with Quarter tones
Whole tone (see whole tone)
Phase (see Phasing)
with Quotations (see Quotation)
- with Quotations of popular music (see Popular music)
prepared piano pieces (1938)
One8 (1991), for curved bow
Tides of Manaunaun (1915), large tone-clusters
The Banshee, Aeolian Harp, and Sinister Resonance, played inside the piano
Black Angels, extended string techniques, including bowing with glass rods
Makrokosmos (1972), prepared and amplified piano
Vox Balaenae (1971), harmonic glissando (gull effect)
Miqi'nahual (1993) from his modular composition Doloritas (1992), stringed intsrument with two right hand bows
String quartets
Imaginings (1994), stringed instrument with two right hand bows
Anaklasis (1959), extended string techniques
Polymorphia (1961), extended string techniques
Threnody for the Victims of Hiroshima (1960), extended string techniques
For Magister Zacharias, the mechanism of lifting the dampers without the hammers touching the keys is highly-amplified
Nomos Alpha (1966), for solo cello, uses harmonic glissando
Chronos Kristalla (1990), for string quartet using a special tuning and only natural harmonics
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See also: List of pieces which use extended techniques, Atonality, Dada, Extended technique, George Crumb, Henry Cowell, Iannis Xenakis, Impressionist music