The Da Vinci Code

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The Da Vinci Code book cover

The Da Vinci Code is a novel written by American author Dan Brown and published in 2003 by Doubleday Fiction (ISBN 0385504209). It is a worldwide bestseller with millions of copies sold (no accurate source exists—some sources cite between 18 and 25 million copies sold as of April 2005) and has been translated into 44 languages. Combining the detective thriller and conspiracy theory genres, the novel has helped spur widespread popular interest in certain theories concerning the legend of the Holy Grail and the role of Mary Magdalene in the history of Christianity—theories that Christians typically consider to be heretical. It is a sequel to Brown's 2000 novel Angels and Demons, again featuring character Robert Langdon.

While the novel claims to contain elements of historical truth within its fictional framework, the book has attracted a large amount of criticism, including at least ten other books written to debunk its various claims.

Random House republished the novel as a "Special Illustrated Edition" in November 2004. The new edition contains over 160 illustrative images interspersed with the text.

Contents

Description

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Vitruvian Man, by Leonardo da Vinci. Renowned curator Jacques Saunière is found murdered in the spread-eagle position on the floor of the Louvre museum, a cryptic message written in black-light pen next to his naked torso, which has had a pentacle drawn on it in blood.
Spoiler warning: Plot or ending details follow.

The book concerns the attempts of the protagonist, Robert Langdon, Professor of Religious Symbology at Harvard University, to solve the murder of renowned curator Jacques Saunière (see Bérenger Saunière) of the Louvre Museum in Paris. The title of the novel refers, among other things, to the fact that Saunière's body is found inside the Louvre naked and posed like Leonardo da Vinci's famous drawing, the Vitruvian Man, with a cryptic message written beside his body and a Pentacle drawn on his stomach in his own blood. The interpretation of hidden messages inside Da Vinci's famous works, including the Mona Lisa and The Last Supper, figure prominently in the solution to the mystery.

The main conflict in the novel revolves around the solution to two mysteries:

The novel has several concurrent storylines that follow different characters. Eventually all the storylines are brought together and resolved at the end of the book.

The unraveling of the mystery requires the solution to a series of brain-teasers, including anagrams and number puzzles. The solution itself is found to be intimately connected with the possible location of the Holy Grail and to a mysterious society called the Priory of Sion, as well as to the Knights Templar. The Catholic organization Opus Dei also figures prominently in the plot.

The novel is the second book by Brown in which Robert Langdon is the main character. The previous book, Angels and Demons, took place in Rome and concerned the Illuminati.

Characters

These are the principal characters that drive the plot of the story. It seems to be Dan Brown's style that many have names that are puns, anagrams or hidden clues:

Summary of spoilers

Continuity question: at the conclusion of Angels & Demons (which precedes The Da Vinci Code) Robert Langdon sleeps with Vittoria Vetra. Where Sophie is Saunière's granddaugher, Vittoria is the daughter of Leonardo Vetra, whose murder launches Angels & Demons. Like Sophie, Vittoria is a stranger who, along with Landon, resolves the various mysteries posed in the story.

Secret of the Holy Grail

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Detail of The Last Supper by Leonardo da Vinci. As explained by Leigh Teabing to Sophie Neveu, the figure at the right hand of Jesus is supposedly not the apostle John, but Mary Magdalene, who was (according to the book) his wife and pregnant with his child. The absence of a chalice in the painting indicates that Da Vinci knew that Mary Magdalene was actually the Holy Grail (the bearer of Jesus' blood). This is reinforced by the letter "M" that is created with the bodily positions of Jesus, Mary, and the male apostle (Saint Peter) upon whom she is leaning. This interpretation would mean that the work was missing an important apostle.

According to the novel, the secrets of the Holy Grail, as kept by the Priory of Sion, are as follows:

The secrets of the Grail are connected to Leonardo Da Vinci's work as follows:

The mystery within the mystery

Part of the advertising campaign for the novel was that the book itself held four codes, and that the reader who solved them would be given a prize. Several thousand people actually solved the codes, and one name was randomly chosen to be the winner. The prize was a trip to Paris.

The solution to the mystery involved discovering that the book jacket conceals latitude and longitude coordinates, written in reverse. Adding one degree to the latitude coordinates gives the coordinates of the headquarters of the Central Intelligence Agency in northern Virginia, which is the location of a mysterious statue called Kryptos, which will supposedly figure prominently in Dan Brown's next novel.

Inspiration and influences

The novel is part of the late twentieth-century revival of interest in Gnosticism. Its emphasis on the role of Mary Magdalene in early Christianity comes straight from Gnostic scriptures, as does much of its portrayal of fertility rites and mystery cults in the practices of the ancient church. The later ecclesiastical history described in Langdon and Teabing's lengthy soliloquies is largely adapted from modern interpretations of the relationship between Gnosticism and Christianity; the most influential of these is probably 1982 pseudo-documentary book Holy Blood, Holy Grail (which is explicitly named, among several others, on page 253). It has been claimed that The Da Vinci Code is a romanised version of this work, which was itself based on a series of short films that ran on the BBC in the late 1970s. Similarities include Mary Magdalene as the living Holy Grail, the divine origin of the French royal dynasty, occultism, ancient Egyptian wisdom, papal conspiracy, and the use of steganography. In the book, the French painter Poussin with his "Et in Arcadia ego" canvas plays the same role that Brown later assigned to Leonardo da Vinci. (Years later one of the authors openly admitted to the press that the entire story had been invented.) In reference to Baigent, Brown named the villain of his story "Teabing".

Lewis Perdue has sued Dan Brown, claiming that The Da Vinci Code was largely based on plagiarism of his own earlier book, The Da Vinci Legacy. Mr. Perdue has set up a webpage listing some of the alleged similarities between the two works. Some also claim Brown plageriarized his own earlier Robert Langdon novel, Angels and Demons. Please see that article for a more thorough discussion.

Umberto Eco's earlier Foucault's Pendulum also deals with conspiracies, including the Holy Blood theme and the Temple.

Criticisms

Because of the book's opening claim:

"Fact: (...) All descriptions of artwork, architecture, documents, and secret rituals in this novel are accurate."

many have viewed The Da Vinci Code as a genuine exposé of orthodox Christianity's past. As a result, the book has attracted a generally negative response from the Christian and Catholic communities, as well as from Christian historians who believe that Brown has distorted – and in some cases fabricated – history, and other readers complaining of sloppy research.

Criticisms include:

In view of its popularity and widespread acceptance as being factually correct, there has been an atmosphere of controversy in Christian communities which has resulted in the publication of various books on the subject. Among others, this includes Carl Olson and Sandra Miesel's The Da Vinci Hoax.

The good portion of the the problem with the facticity of the book has to deal with the liberties it takes to explain events that have not been resolved by scholars. And for many, due to it's claim to fact, the line where 'fact' ends and fiction begins (as the novel is certainly fiction). This combined with the controversial religious portrayals that combat or offend the communities discussed, has cause a great deal of debate, and partisan material to erupt.

On March 15, 2005, Tarcisio Cardinal Bertone, Archbishop of Genoa and former second-in-command of the Congregation for the Doctrine of the Faith (and then seen by many as a potential successor to Pope John Paul II), castigated the book and those who sell it because of his claims of anti-Catholic bias. "This seems like a throwback to the old anti-clerical pamphlets of the 1800s," he said. It is a "gross and absurd" distortion of history full of "cheap lies." He also made a strong defense of Opus Dei, the Catholic organization which is a major antagonist of the book.

Facts and mythology behind the book

Motion picture adaptation

Sony's Columbia Pictures is adapting the novel to film. The film rights had been purchased for USD 6 million. Filming had been scheduled to start in May 2005 with theatrical release scheduled for summer 2006. However some delays have caused filming to begin on June 30 2005.

Permission to film on the premises has been granted to the film by the Louvre, while Westminster Abbey has denied it use of its premises. Lincoln Cathedral, however, has agreed to act as a substitute for Westminster Abbey, and has reportedly received £100,000 in exchange for the right to film there. Filming at Lincoln Cathedral is expected to take place over an approximate two week period during summer 2005. An organization of albinos has expressed concern about Silas' character giving albinos a bad name. It is not yet known whether the producers will decide to change Silas' character or remain true to the book.

Further reading

External links

See also: The Da Vinci Code, 1099, 1956, 1962, 1970s, 1982, 2000, 2003 in literature, 2004 in literature